AccessPhoto - Everything Photography: How to salvage a decent photo in Photoshop

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How to salvage a decent photo in Photoshop Bookmark

User is offline NIKE SB'd Icon

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  • Added on: 09 February 2010 - 11:37 AM
  • Date Updated: 09 February 2010 - 11:55 AM
  • Views: 855
Description: An in-depth, behind the scenes post-processing build - transforming a "decent" photo into something a bit more with the help of photoshop.

brought to you by seanklingelhoefer.blogspot.com

Hey guys, I've been getting some requests for a while now to shed a little insight on my work flow and showing some examples of all the stock photos I used to make an image build, so I'm glad to finally be able to show you guys a shot more in depth and go over the image from start to finish.

Here's the image we will be looking at...

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I had seen this red wall by my place and decided since I need to shoot this car quickly before the sun went down that it would be a decent location. I liked the irony of shooting red-on-red and I also figured it would piss a lot of people off, which is also fun :tongue: So to start out I placed the car where I wanted it and composed the image then took a couple of ambient brackets and a few different lighting setup brackets. Here are the nine images I used to create this shot.

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Once I got all the layers in the order I wanted them in and properly masked off the image was looking pretty flat and boring. Here's the result of the nine frames laid on each other.

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As you can see the shot was pretty bland, but before tackling that I wanted to smooth out the car and remove any reflections or distractions from the frame. Using various methods (copy/paste, healing, cloning, patch and gradients) I was able to get the image where it needed to be before I started enhancing colors and textures. Here's the smoothed out shot.

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Now that I had any visual imperfections out of the way I could start focusing on luminosity and texture. First I did a little dodging and burning to even out the ground before further modification and bring a little texture out of the wall.

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Next I went in using different blending modes and adjustment layers to pull as much texture out of the wall and ground as possible. At this point if you compare the image to the original layered shot it's night and day different. I also did some color adjustments to pull the whole red range into CMYK gamut since initially it was way out.

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The last adjustments were some minor curves and I also relocated the end of the lower 2X4" that holds the billboard up since I didn't like how it terminated into the taillight. Once more here's the end result.

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Just for the hell of it I did decide to do some other edits with the wall in different colors. To do this I made a mask using calculations then I went in and fine tuned it by hand. I then created layers of varying opacities set to color mode and adjusted from there. Let me know which one you guys like the best!

Teal

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Light Blue

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Black

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for more in-depth builds visit seanklingelhoefer.blogspot.com :thumbsup:
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#1 User is offline   Alexander Icon

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  • 1,314 posts
  • since 28-May 03

Posted 09 February 2010 - 11:46 AM

Love the blog Sean, always very useful for those just starting in the automotive photography world. Thanks for sharing on AP :yes:

#2 User is offline   KWImage Icon

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Posted 24 February 2010 - 09:37 AM

just a quick question. How did you layer the pictures. Where they an overlay, or soft light, or anything like that. or were they in normal with a 50% opacity?

Thanks!

#3 User is offline   KLackey Icon

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Posted 01 March 2010 - 01:26 PM

KWImage, on 24 February 2010 - 06:37 AM, said:

just a quick question. How did you layer the pictures. Where they an overlay, or soft light, or anything like that. or were they in normal with a 50% opacity?

Thanks!


I'd be curious to know this as well.

My few attempts at combining a few different shots when using my lights have not turned out as well as I would have liked.
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